FST 060 SOUND OF LEAMINGTON SPA 4     

 

The Sound of Leamington Spa IV        -    V.A.

20 Track CD- Album

Cat.No. FST 060

 

  1. The Clouds - Get Out Of My Dream
  2. The Submarines - I Saw The Children
  3. Decoy Avenue - Gone Native
  4. The Candy Darlings - That's Where Caroline Lives
  5. 35 Summers - Really Down
  6. Nivens - Yesterday
  7. Tiberius Minnows - Time Flies
  8. The Marteens - First Kiss
  9. Hellfire Sermons - The Best Laugh I Ever Heard
  10. The Bridge - Shame Is A Girl
  11. The Apple Moths - Everything
  12. The Williams - I Know I'm Nothing Special To You
  13. Johnny Says Yeah - Waiting Here For Me
  14. Dislocation Dance - He's The Man
  15. The Church Grims - Plaster Saint
  16. Beethovens Kiss - The Wonder Of You
  17. Nautical William - Love House
  18. Explained Emma - When My Heart Rings
  19. The Days - Audrey's Curtains
  20. Wake Up Afrika - Walking Blind

Firestation (previously Firestation Tower), in association with the Clarendon and Bilberry labels, continue to put out their Leamington Spa compilations, in a laudable effort to expose largely forgotten 80s and early 90s indiepop bands to a new and wider audience. Across these two albums, there are a number of bands I previously knew of (Pure, The Morrisons, 1000 Violins, Snowbirds, Honeytrap, The Clouds, Candy Darlings, The Nivens, Hellfire Sermons, The Apple Moths, The Williams, The Church Grims and The Days) and a whole host of bands that escaped even my attention the first time around. Both albums come with extensive liner notes and nostalgic cover collages of fanzines and gig flyers. If you know this genre, you'll know what to expect with these comps, even if some bands aren't already familiar - lots of jangly, at times twee pop (and no, 'twee' is not an insult!), which is either summery or melancholic or a paradoxical combination of the two.
The choice of tracks works well as the bands have a lot in common; in fact the comps sound more complete and coherent albums than do some albums by one band! Even the majority of the tracks that stray from the overall theme still fit in with everything else - for instance Waving At Trains' Sylvie, which is a rock-tinged take on janglepop, but is janglepop nonetheless. C-Saim are the band on vol 3 that are most different from the others, they play a more commercial kind of guitar pop (I mean the sort of stuff that was commercial in the 80s) with a jazz influence. But even they don't sound unacceptably incongruous here due to their strong 80s sound. The same could be said for vol 4's Dislocation Dance, another jazzy and fairly mainstream sounding pop band. Explained Emma (also on vol 4) are more straightforward jazz with little or no indiepop influence, so are really the only band here who seem a little out of place. Everything else is without a doubt squarely within the old-school indiepop sound.
Great to know Start Digging My Grave Sugar is here on vol 3, this is my favourite 1000 Violins track, a real janglepop classic. Vol 3 also includes Snowbirds' Motorcycle Baby, great catchy twee la-la-la janglepop which brings back a lot of memories. Volume 4 reintroduces such classics as The Clouds' Get Out Of My Dream, Candy Darlings' That's Where Caroline Lives, The Nivens' Yesterday, Hellfire Sermons' The Best Laugh I Ever Had and The Apple Moths' Everything, along with loads of other quality old-style jangle. This series is essential listening for anyone with an interest in the indiepop movement. Contact
info@firestation-records.de

http://www.blissaquamarine.net

 


 

In the mid-to-late ¹80s, English indiepop‹of the brand that came after C86, but before the rise of baggy‹was, for some reason, almost always recorded in the town of Leamington Spa, at one of two studios (WSRS or Woodbine) with John A. Rivers producing. This guy really had the market cornered. Today, he¹d be the focus of a government investigation into the monopolization of jangly guitar music. Like lots of multi-edition stylistic comps, it¹s not really useful to compare one volume of Leamington with another. Across 80 tracks, these four platters serve up a delightful survey of the collected wares of a bunch of Orange Juice/Aztec Camera/Everything But The Girl/Pale Fountains/Smiths obsessives, many of whom never got further than a 7" or a flexi, or perhaps just a track on a cassette comp. It¹s nice to see them a get second airing. (www.twee.net/spa)


THE BIG TAKEOVER


                         www.bigtakeover.com

 

Auch wenn die C86-er Generation momentan voll ausgelastet ist mit Ringe anstecken und Windeln wechseln, so wird doch zwischendurch einmal Zeit sein den neuen THE SOUND OF LEAMINGTON SPA VOL. 4 Sampler einzuwerfen und in vergangenen Zeiten zu stöbern. Gleich der Opener ein Klassiker von THE CLOUDS, irgendwo in den Untiefen meines Plattenarchivs verschollen...aber schön, die Sachen einmal auf CD zu haben. Legt sich auch einfacher und somit häufiger auf, ich faule Sau. Wer also immer noch Fan der „das kann auch ich“-Melodien ist – oder es werden möchte – der sollte sich dieses klassische Stück Gitarrenpop-Geschichte ins Haus holen. Ansonsten mit an Bord: THE SUBMARINES, THE NIVENS, THE APPLE MOTHS and many many more beautiful stuff.

 

Mela, 10/10

www.britpoparsenal.de

 

 

After three outstanding volumes of the "Sound Of Leamington Spa" series, there's no sign of slowing down on this fourth installment! Collecting twenty more brilliant tracks from the lesser-known guitar-pop groups of the late 80s, this disc is every bit as enjoyable as the last three. This time around, we have some more well-known groups, like Clouds ("Get Out Of My Dream", taken from one of my favorite Subway releases), Hellfire Sermons (who have enjoyed a bit of a revival, thanks to the Bus Stop retrospective), Dislocation Dance, and the Submarines. And of course, there are loads of groups that even I hadn't heard of before, including the fantastic 35 Summers, Marteens, Johnny Says Yeah!, Beethoven's Kiss and Nautical William, among other amazing groups. And, along with the excellent tracks on the disc, there is as much information in the booklet for each band that could be dug up, which makes for an interesting and informative read in many cases. I'd love to own each and every one of these original releases, but until I win the lottery, I'm quite happy with just having this.   MTQ=20/20
 

http://www.indiepages.com

 

 

da ist er also - 'endlich'!
the sound of leamington spa 4 versammelt wieder durchweg gute bis großartige songs von bands deren existenz mir fast durch die bank bis zum hören dieser cd unbekannt waren!
und das ist für mich als freund des 80er gitarrenpops auch bei der vol. 4 das wunderbare... hier wird der horizont erweitert und es wird klar, dass es neben smiths, brilliant corners und der frühen creation-blase verdammt nochmal zig andere bands gegeben hat, die wunderbare popperlen geschrieben haben, und die es zudem allemal wert sind, auch heute noch das ohr des geneigten hörers zu schmeicheln.
danke dafür also an alle beteiligten für das ambitionierte ausgraben und compilieren. zu diesem 'service' gehört auch, dass es ein 'ordentliches' booklet gibt, in dem jede band auf einer seite besprochen wird und so die wesentlichen bandinfos ebenfalls gleich mitgeliefert werden!
anspieltips wären etwa die candy darlings, the clouds oder the bridge - alles wirklich ganz entzückende songs!
zu bekommen ist das gute stück unter www.firestation-records.de, als weitere infoquelle kann ich euch www.twee.net ans herz legen...
ps: und wer von euch die anderen drei leamington spa sampler noch nicht hat, sei von mir nochmal ermutigt, sich auch diese zu kaufen...


(marco)
http://www.revolver-club.de